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Seeing Israeli and Jewish Dance (Raphael Patai Series in Jewish Folklore and Anthropology) de Judith Brin Ingber
Descripción - Críticas Judith Brin Ingber has assembled in one volume a wealth of information and ideas. She and the seventeen other contributors to Seeing Israeli and Jewish Dance probe such diverse, yet profoundly related subjects as dancing in Judaic ceremonies and the creation of folk dances in the newborn nation of Israel. Dancing springs to life on the page illuminating how cultural roots yield new blooms when transplanted into different soil. The reader will be stimulated by conflicting views about such topics as women's participation in traditional Jewish dances throughout history and the ways in which contemporary folk and theatrical dancing in Israel have honored memory and culture, even as they have altered the image of the Jewish body and what it means to be a Jew.' -Deborah Jowitt, dance critic and historian, author of Jerome Robbins: His Life, His Theater, His Dance 'Seeing Israeli and Jewish Dance is a work of great originality and importance, not only to the world of dance but to the study of global Jewish culture and the arts. Its scope and depth are remarkable, and its combination of photography and scholarship is nothing short of thrilling.' -Riv-Ellen Prell, professor of American Studies at the University of Minnesota and editor of Women Remaking American Judaism (Wayne State University Press, 2007) 'Seeing Israeli and Jewish Dance is at once both cinematic and diasporic. It is part academic travelogue, part historical manifesto, and part home movie, if home was all of Jewish culture across all of history. It intermingles the religious and secular practices of dance into a hybrid and fluid Jewishness: one with porous boundaries and a shifting sense of self, identity, and purpose. In this collection of original and sometimes daring research, dance is framed as celebratory and artistic, decorative and efficacious, a kind of both/and construction which the authors liberally mine for its essential Jewishness and its contribution to the central issues surrounding Jewish identity, as both a part of and apart from the State of Israel. Seeing Israeli and Jewish Dance will undoubtedly inspire debate, critique, and hopefully the publication of other texts that further explore dance in the frame of an ever-shifting Jewish identity.' -Douglas Rosenberg, professor and director of the Conney Project on Jewish Arts at the University of Wisconsin, Madison Reseña del editor In Seeing Israeli and Jewish Dance, choreographer, dancer, and dance scholar Judith Brin Ingber collects wide-ranging essays and many remarkable photographs to explore the evolution of Jewish dance through two thousand years of Diaspora, in communities of amazing variety and amid changing traditions. Ingber and other eminent scholars consider dancers individually and in community, defining Jewish dance broadly to encompass religious ritual, community folk dance, and choreographed performance. Taken together, this wide range of expression illustrates the vitality, necessity, and continuity of dance in Judaism. This volume combines dancers' own views of their art with scholarly examinations of Jewish dance conducted in Europe, Israel, other Middle East areas, Africa, and the Americas. In seven parts, Seeing Israeli and Jewish Dance considers Jewish dance artists of the twentieth and twenty-first centuries; the dance of different Jewish communities, including Hasidic, Yemenite, Kurdish, Ethiopian, and European Jews in many epochs; historical and current Israeli folk dance; and the contrast between Israeli and American modern and post-modern theater dance. Along the way, contributors see dance in ancient texts like the Song of Songs, the Talmud, and Renaissance-era illuminated manuscripts, and plumb oral histories, Holocaust sources, and their own unique views of the subject. A selection of 182 illustrations, including photos, paintings, and film stills, round out this lively volume. Many of the illustrations come from private collections and have never before been published, and they represent such varied sources as a program booklet from the 1893 Chicago World's Fair and archival photos from the Israel Government Press Office. Seeing Israeli and Jewish Dance threads together unique source material and scholarly examinations by authors from Europe, Israel, and America trained in sociology, anthropology, history, cultural studies, Jewish studies, dance studies, as well as art, theater, and dance criticism. Enthusiasts of dance and performance art and a wide range of university students will enjoy this significant volume. Biografía del autor Judith Brin Ingber is a performer, teacher, and choreographer who has written and lectured extensively on Jewish dance. She co-founded the Israel Dance Annual magazine and the chamber performing arts troupe Voices of Sepharad and has been an adjunct faculty in the Department of Theater Arts and Dance and in the School of Journalism at the University of Minnesota since 1978.
Detalles del Libro
- Name: Seeing Israeli and Jewish Dance (Raphael Patai Series in Jewish Folklore and Anthropology)
- Autor: Judith Brin Ingber
- Categoria: Libros,Arte, cine y fotografía,Música
- Tamaño del archivo: 15 MB
- Tipos de archivo: PDF Document
- Idioma: Español
- Archivos de estado: AVAILABLE
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Seeing Israeli and Jewish Dance Raphael Patai Series in ~ Seeing Israeli and Jewish Dance Raphael Patai Series in Jewish Folklore and Anthropology 2011-06-15: : Unknown: Libros
Seeing Israeli and Jewish Dance (Raphael Patai Series in ~ In Seeing Israeli and Jewish Dance, choreographer, dancer, and dance scholar Judith Brin Ingber collects wide-ranging essays and many remarkable photographs to explore the evolution of Jewish dance through two thousand years of Diaspora, in communities of amazing variety and amid changing traditions.
Raphael Patai Series in Jewish Folklore and Anthropology ~ Series Editor: Dan Ben-Amos, University of Pennsylvania The Raphael Patai Series in Jewish Folklore and Anthropology publishes books illuminating the diverse and culturally rich Jewish heritage. The series is named in honor of the many contributions of its founder and original editor, Raphael Patai.
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